Sunday, 26 December 2010

Lewis Mumford



Lewis Mumford

'Internationally renowned for his writing on cities, architecture, technology, literature, and modern life, Lewis Mumford was called by Malcolm Cowley "the last of the great humanists." His conributions to literary criticism, archtectural criticism, American studies, the history of cities, civilisation and technology, as well as to regional planning, environmentalism, and public life in America, mark him as oneof the most original voices of the twentieth century.' (Eugene Halton)

Sketches from Life The Autobiography of Lewis Mumford: The Early Years

This was another book just sitting quietly and unnoticed on my book-shelves. As soon as I picked it up I began remembering the books by Lewis Mumford (1895-1990) which I'd read in the 60s: Technics and Civilisation (1934) and The Culture of Cities (1938). He was, in his time, one of the most influential architects, designers and thinkers about ways in which people could live in cities and how urban planning could influence societies. In the dear, dead 60s, Mumford was embraced as one of the gurus of many far left Utopian thinkers, but his ideas and writings far exceeded what most of those sincere but often confused dreamers ever understood.

I don't think, on reflection, that I made much of those books at the time, but re-visiting Mumford now I'm struck by the fact that many of his ideas were so prescient but yet seem, now, to have sunk without trace.

From Values for Survival. 1964:
“If we are to create balanced human beings, capable of entering into world-wide co-operation with all other men of good will--and that is the supreme task of our generation, and the foundation of all its other potential achievements--we must give as much weight to the arousal of the emotions and to the expression of moral and esthetic values as we now give to science, to invention, to practical organization. One without the other is impotent. And values do not come ready-made: they are achieved by a resolute attempt to square the facts of one's own experience with the historic patterns formed in the past by those who devoted their whole lives to achieving and expressing values. If we are to express the love in our own hearts, we must also understand what love meant to Socrates and Saint Francis, to Dante and Shakespeare, to Emily Dickinson and Christina Rossetti, to the explorer Shackleton and to the intrepid physicians who deliberately exposed themselves to yellow fever. These historic manifestations of love are not recorded in the day's newspaper or the current radio program: they are hidden to people who possess only fashionable minds. Virtue is not a chemical product, as Taine once described it: it is a historic product, like language and literature; and this means that if we cease to care about it, cease to cultivate it, cease to transmit its funded values, a large part of it will become meaningless, like a dead language to which we have lost the key. That, I submit, is what has happened in our own lifetime.”

Saturday, 2 October 2010

Friday, 3 September 2010

The Spirit of Geometry

Burkhardt: '....the two poles of all artistic expression in Islam: the sense of rhythm and the spirit of geometry. ...'

This wall-quilt is my way of expressing this in the medium in which I most often work. As for how it is created, let's just say that it's not a technique for the faint-hearted!




Tuesday, 27 July 2010

View from the Grand Tier boxes!

I'd managed to get two returned tickets as the Hall had been completely booked almost as soon as the concert was advertised. And we were lucky - got two seats bang opposite centre of the stage.

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Alice does the Royal Albert Hall

The Dr. Who concert was brilliant.

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Wednesday, 14 April 2010

The Woman who died of Robespierre

A few days of enforced inactivity, spent in my sitting-room-cum-study, led me to browse the shelves of a book-case filled with books which just happen to have arrived there in a recent attempt to re-organise/rationalise books from various part of the house. Some are books which have been read and even re-read, some I keep by me for purely sentimental reasons or because I refer to them from time to time, some are unfamiliar. A few days ago my eye fell on this one:

A Life of Solitude
Stanislawa Przybyszewska
A Biographical Study with Selected Letters
by Jadwig Kousack and Daniel Gerould

Please don't ask me how 'Przybyszewska' is pronounced - I have no idea! But the life-story of this gifted Polish writer is as fascinating as it is appalling. What's more, learning about her passion, amounting to an obsession, with Robespierre led me to some internet explorations and information about the French Revolution, of which my knowledge is extremely, and shamefully, meagre.
Przbyszewska's obsession with Robespierre, Danton and the French Revolution in general took root at a young age. Hilary Mantel, writing in the London Review of Books (Vol.22 No. 7 20th March 2000), says this of her:
[Stanislawa] was the maddest of all female Robespierrists (and in this matter I yield to few.) Born in 1901, daughter of a Polish writer, she was a writer of starvation and frost and died aged 34 in Danzig, where she had been living in a sort of out-house, unheated through the winter, painting her food with lysol to preserve it while thinking intensively and extensively about 'this handsome, petty lawyer, who at the age of 35 single-handedly ruled France.' Tuberculosis, morphine and starvation were adduced as the reasons for her death but she could more truthfully be diagnosed as the woman who died of Robespierre.
A major factor in, and influence on Przybyszewska's life, and largely a malign influence at that, was her father, Stanislaw Przybyszewski, a self-styled Satanist and serial philanderer. The brief Wikipaedia entry for him makes no mention of Stanislawa, whose work, ironically, has achieved a postumous recognition which his appears not to have done, despite the fact that in his life-time he was a famous figure in Polish literature and cultural life. It was her father who introduced Stanislawa to morphine, thus precipitating the addiction which was to be a contributory factor in her mental instability and a life of hardship and poverty.
At his death, the father was accorded the elaborate civic rites due to such a celebrated figure. His daughter received a pauper's funeral attended by three people.

Stanislawa Przybyszewska's most enduring work is the trilogy of plays she wrote about the French Revolution, the best known being The Danton Case, on which Andrzej Wajda's 1983 film, Danton was based.

Saturday, 13 March 2010

One Star in the West

To have got so far, alone
Almost to the seventieth stone
Is a wonder.
There was thunder

A few miles back, a storm-shaken
Hill and sea, the bridge broken
[The bright fluent burn
A bruised torrent]

But all cleared
Larks were singing
Again, the April rain ringing
Across the sewn hills,
Among the daffodils


The road winds uphill, but
A wonder will be to sit
On the stone at last -
One star in the west.

George Mackay Brown (1921 - 1996)